FerD.K – Loving You Away

By: Lisa Steinberg

 

 

Q) Your music is a bit electronic with pop and R&B mixed in, but how would you describe your sound?

A) I’d describe my sound as emotion-driven modern R&B with a pop-electronic edge. Everything starts with feeling for me. The electronic elements give the music movement and atmosphere, pop brings accessibility and R&B is where the soul lives. I’m very drawn to contrasts — uptempo but melancholic, clean production with emotional imperfections, romantic themes wrapped in modern textures. I like music that feels polished but still human.

Q) Who are some of your musical influences?

A) My influences come from different worlds. On the R&B side, I’ve always been inspired by artists who combine vulnerability with strong aesthetics — artists who aren’t afraid of atmosphere and space. On the pop and electronic side, I’m influenced by modern producers who understand minimalism, tension and emotional pacing. Beyond specific artists, I’m deeply influenced by cinema, storytelling and mood — how a feeling can be built slowly instead of being explained directly. To mention some names, I grew up with: Boyz II Men, Mariah Carey, Joe and N’Sync.

Q) Talk about the story behind your new song “Loving You Away.”

A) “Loving You Away” is about that quiet but painful realization that love doesn’t always mean staying. Sometimes you care deeply about someone, but the circumstances, timing or emotional distance make closeness impossible. The song captures that contradiction — the heart still moving forward while knowing something is slipping away. Musically, the uptempo rhythm represents life continuing, while the melancholic tones reflect what’s left unsaid.

Q) The track came out in November. What kind of fan response have you been receiving to it?

A) The response has been very emotional and personal, which means a lot to me. Many listeners tell me they relate to the feeling of the song rather than just the sound. I’ve received messages from people saying it describes moments in their own relationships or phases in their lives. That kind of connection is always the most meaningful feedback for me.

Q) How does the video for the track play into the message behind it?

A) This time there is no traditional music video. Instead, I chose short vertical visuals. That decision was very intentional. The song is intimate and I wanted the visuals to feel like fragments of emotion rather than a full narrative. It leaves space for listeners to project their own stories onto the music instead of being guided too strongly.

Q) What is your songwriting process? Do you need music before you can create lyrics?

A) Most of the time, I need music first. Sound creates the emotional landscape for me. Once I feel the mood, the words come naturally. Lyrics are always tied to melody and rhythm in my process — I don’t separate them. Sometimes a single chord progression already tells me what the song wants to say.

Q) How much of a hand do you have in the production of your music?

A) I’m very involved. I don’t just show up and record vocals. I’m part of the sound design, the arrangement and the emotional direction of the production. Having my own studio allows me to experiment freely and refine ideas until they feel authentic. Even when I collaborate, I’m deeply hands-on creatively.

Q) What can fans expect from a live FerD.K performance?

A) A FerD.K live performance is emotional, immersive and cinematic. I want people to feel something, not just hear songs. Vocals are very important to me live, but so is the atmosphere — lighting, movement, energy. It’s about creating a moment people remember rather than just playing tracks back-to-back.

Q) With “Loving You Away” out now, is this a prelude to a full album or EP?

A) The song is definitely part of a bigger artistic direction. I see it as a chapter rather than a standalone moment. Whether it becomes an EP or an album will reveal itself naturally, but I’m very focused on building a cohesive emotional world rather than just releasing isolated singles.

Q) Where are some of your favorite places to perform and what makes those locations so significant to you?

A) I love performing in cities where cultures collide — places with strong nightlife and emotional openness. Locations where the audience is close and engaged are always special to me. It’s not about size, it’s about connection. When you can feel the crowd breathing with the music, that’s when performances become unforgettable.

Q) Who would you most like to collaborate with on a song in the future?

A) I’m drawn to artists who understand mood and subtlety — musicians who don’t over-explain emotion but let it exist. Collaborations for me are less about names and more about emotional compatibility. If the feeling aligns, the music usually follows naturally.

Q) What artist or musician are you currently listening to and why do you dig them?

A) Right now, I’m listening to artists who blend emotional depth with modern production. I’m drawn to musicians who leave space in their music — where silence and restraint are just as powerful as big moments. That balance really inspires me creatively.

Q) You started making music at the age of thirteen. What advice would you give to upcoming artists just beginning in the music business?

A) I’d say: focus on identity before visibility. Learn who you are artistically before trying to please algorithms or trends. Skills can be learned, but authenticity takes time and honesty. Be patient with your growth and don’t rush your sound.

Q) On top of being a musician you’re also an actor. Do you have any upcoming on-screen work we can look forward to?

A) Acting is still a very important part of my creative life. I continue to balance both worlds and I’m always open to roles that challenge me emotionally and artistically. Music and acting influence each other for me — both are about storytelling, just through different mediums.

Q) What would you like to say to everyone who is a fan and supporter of you and your work?

A) I’m deeply grateful. Every listen, every message, every shared moment means more than people might realize. My work exists because people connect to it. I don’t take that lightly and I carry that appreciation into everything I create.