Television Skies – Time of My Life

By starrymag | May 19, 2025

By: Karen Steinberg

 

 

Q) How do you describe your sound?

 

Ihor: We like to call it “electric nostalgia.” It’s a blend of pop rock and punk energy with cinematic emotional depth. Our sound draws inspiration from California sunsets and New York City grit, creating something that feels both familiar and fresh. While you could categorize us as alt-pop, we believe our music creates its own atmospheric space where vulnerability meets vintage aesthetics.

 

Q) Who are some of your musical influences?

 

Paul: Our musical foundation draws significantly from the progressive complexity of rush, the atmospheric compositions of Pink Floyd, the dynamic range of Led Zeppelin, and The Doors’ distinctive sound architecture. In contemporary music, we find inspiration in artists like The 1975, Arctic Monkeys, Twenty One Pilots and Yungblud – each bringing innovative approaches to modern alternative music. It’s fascinating how these influences merge to create something distinctly our own.

 

Q) Talk about the story behind your new song “Time of My Life.”

 

Ihor: This song holds a special place for us as it’s the first track we wrote with our producer Cass [Dillon], literally on day one in the studio. It’s a story about crashing – both literally and metaphorically. On the surface, it follows someone at 4 AM, under the influence, crashing their car. But deeper down it’s about that reckless abandon of living in the moment and hoping the people who love you can still smile through your chaos. It’s about those moments when you’re simultaneously at your highest and lowest points.

 

Q) What do you think it is about the song that fans connect to?

 

Paul: From our analytics and audience feedback, there appears to be a strong emotional resonance with the song’s authenticity. The combination of nostalgic elements with forward-looking hope seems to particularly resonate with listeners. It’s interesting to observe how the track’s emotional narrative creates such a universal connection.

 

Q) How does the video for the track play into the message behind it?

 

Ihor: While we’re still in the process of creating the perfect visual companion for “Time of My Life,” we’re taking great care to ensure the video will capture the song’s essence. We want to create something that mirrors that 4AM feeling – that mix of neon lights and empty streets, of freedom and fear. The video will be coming soon, and we’re excited to share that visual journey with our fans.

 

Q) What is your songwriting process? Do you need music before you can create lyrics?

 

Paul: Our creative process has evolved into quite an efficient system. The initial compositions typically originate with Ihor, followed by collaborative development in the studio. Our recent methodology involves deconstructing fully produced demos to their essential elements before reconstructing them with Cass. This approach has yielded some fascinating results in terms of sonic development.

 

Q) How much of a hand do you have in the production of your music?

 

Paul: Prior to our current project, we maintained complete creative control over our production process. The introduction of Cass as producer for “Time of my Life” represents a calculated evolution in our approach. This collaboration has introduced some intriguing new dimensions to our sound while maintaining our core artistic vision.

 

Q) With “Time of My Life” out now, will there be a full album or EP coming in the near future?

 

Ihor: Yes, absolutely! We’re working on a full album that we’re incredibly excited about. In the meantime, we’ll be releasing a series of singles to give our fans regular doses of new music. We want to make sure each release tells its own story while building toward the larger narrative of the album.

 

Q) Where are some of your favorite places to perform and what makes those locations so significant to you?

 

Paul: The New York venue ecosystem offers a fascinating array of performance spaces. Venues like Heaven Can Wait, Berlin and the intimate setting of Bowery Electric’s upstairs room each present unique acoustic and atmospheric qualities. These spaces provide an optimal environment for the authentic delivery of our material, particularly in terms of audience connection.

 

Q) Who would you most like to collaborate with on a song in the future?

 

Ihor: Dream collaborations? Working with Tyler Joseph from Twenty One Pilots as a producer would be incredible – his approach to production is so innovative. Artist-wise, collaborating with someone like Halsey or Lorde would be amazing. And, of course, working with bands like Arctic Monkeys would be a dream come true. We’re drawn to artists who push boundaries while maintaining their artistic integrity.

 

Q) What artist/musician are you currently listening to and why do you dig them?

 

Ihor: Music affects me on such a deep emotional level that I tend to create different atmospheres depending on my mood. Lately, I’ve been drawn to quiet jazz and vintage radio vibes – there’s something so calming about that sound. I also find myself getting lost in ambient music and lo-fi beats. It’s less about specific artists and more about creating an atmosphere that allows for both creativity and peace.

 

Q) What would you like to say to everyone who is a fan and supporter of you and your work?

 

Both: We’re just incredibly grateful. Every stream, every show, every comment – it means the world to us. Watching this project grow from late-night rehearsals to where we are now has been surreal, and it’s all because of the amazing people who connect with our music. Thank you for being part of this journey. We’re just getting started.